Painting for painting and sometimes painting for the substance- sometimes naughty and incostant like a charming woman who decides to appear and disappear, because here presence is so strong because it's exclusive- Eros Gasparini gives an excellent contemporary artistic proof, where the Venice roots magically marry whit the  Fine Art Academy, Vedova scholarship and the lagoon essence in a silent alleance whit is totem vigour. And paradoxically in a silent contrast. Venice silence is an intimate silence which arrives to the heart even in a touristic crowding: it's the silence of the past ghost and shades, entrapped whitout final terms into a reign similar just to itself, which reflects a perpetual Eunoè, mindful of past lives.

 

But, left the silver clearness, Eros' shadows town can become, suddenly, the city of the famous cathedrals and the nobles buildings, whose opulence and solemnity represent a sort of privilege for the spirituality tones: violet ( right intersection between the earthly red and the ascetic blue) colour of searching, of advancing, of perfectability; golden, holy color, of purity, eternity, of supreme light.

 

Francesca Liotta